Saturday, August 8, 2009

Buying Time

Have you ever noticed that in advertisements for watches the hands are almost always set at ten past ten?  Check out a few ads and you will see.  Anyway, this just proves that inspiration for a poem can come from anywhere.
Note:  Timex says the hands on the timepieces are placed at the ten-ten position so the company logo on the face will be framed and not blocked by the hands.  The industry standard used to be eight-twenty, but that looked too much like a frown and created an unhappy look, so they changed it.

BUYING TIME
from the Falling Bodies series

Pointing northwest and northeast,
all new timepiece hands
are set at ten past ten.
(Its an internationally supplicating posture
based on market research,
subliminal message,
and the appealing gesture
of the raised hands.)

In a life filled 
with such trivial manipulation,
some days I am tempted
to identify, classify and name
all of my demons.

Some day you save me.
You push against me 
as gently as a breeze.
As surely as a blood thrum
that accompanies a potent brew,
you coax from me
incantations,
bright sounds springing
from the same root
as birdsong.

Through mystical language
I am bound to be set free.

When I was a victim of self-forgery,
you compelled me to see
I could never have been born
under the hands of another.
When I lost my feathers,
you offered music 
and opened my ears.

If I could have brought forth,
one by one,
all the fish in the sea,
I would not have found
the magic salmon
on my own.

In small tribute, I lift my hands,
I touch your mouth,
for to dive into such honey
is to be born into sweetness,
pure sunlight, 
again and again.

Friday, August 7, 2009

More Than Corduroy

(I am posting this poem from the series Falling Bodies at the request of Rachel Tobes.  I thought I had lost it in the ether, but it finally surfaced.  I guess this is appropriate for a poem based on accidental discoveries.)

MORE THAN CORDUROY

So, maybe you were right,

you know, about corduroy,

about it not being accidental,

not like post-it notes, assumptions and electricity,

and about how the push-pull

of such a two-way fuzziness

could come between two people

with so little surface tension.

 

And maybe you were right,

you know, about this other thing—

this escalating dance,

this shattered calm, and how,

more than corduroy,

it makes my fingers move

in trancelike patterns,

makes me bite my lip,

and giggle,

and cry. 

 

 

Thursday, August 6, 2009

In the Beginning




            About once a week someone asks me how I developed my style of painting.  The following is an artist statement that I drafted for Artciencia, an internet forum which considers the scientific underpinnings of art.

“My art borrows from the theory of pointillism and the digital effects of photographic half-toning.  It is very much a product of pop culture.  Covered with one-inch dots cut from magazines, my paintings, which are typically quite large, are couched behind a montage overlay of juxtaposed, equidistant grains.  On the physical plane, the painted image lies behind the dot matrix, but at times the viewer’s eye shifts and the dots recede, effectively pulling the viewer in for a closer look at the small, sampled spots.

            This visual manipulation alters the original image in much the same way granular synthesis alters an auditory recording.  Playing on the visual dichotomy of high and low frequencies, the result is simultaneously a deconstructed cloud as well as a series of individual images spaced at equal intervals, which are constantly combined and averaged by the human eye to create the resulting residual effect.”

It is really an everyday series of events that led up to the development of my particular style.  For several years I worked part time as a graphic artist while my kids were little.  It was great because it allowed me to work at home and be with them a lot.  But it also had a down side in that I was always executing someone else’s idea and not working on my own art.  I had always been a pretty good drawer but had only dabbled in painting in high school.

            As I began teaching high school, my attention veered more toward my writing.  Then about ten years ago (I can’t believe it has been that long!), my friend Cricket McNatt and I decided to rent a studio space together where she could paint and I could write.  (This was located right across the street from The Image Warehouse where I now paint.)  As we shared that space just off the square downtown, I would watch her paint and decided I wanted to try to do it, too.  I enjoyed the process of making my own canvas, prepping it, playing with the pigments.  But when I had “finished” my first piece, I was not entirely happy with the results.  My drawings up to that point had been based on realism, and this acrylic painting did not live up to my exacting standards.

            About that time Cricket invited me to go with her and her art class from UT Tyler on a field trip to Houston where the works of Robert Rauschenberg filled up all of the museums for a special show.  I had encountered his work in magazines and liked it, but when I saw it in person with its large scale, vibrant colors and collage elements, I was amazed.  On the way back home I sprawled on the back seat of the chartered bus, completely overwhelmed by what I had seen that day.  I must admit that I was momentarily tempted to quit painting entirely, thinking that I could never reach the level of excellence exhibited by Rauschenberg.  But as I asked myself what it was I really wanted to change about my painting style, I realized that I wanted to add depth to my canvases, to break up the flat surface and even to partially obscure the painting itself.

            As I contemplated this problem, I looked up at the ceiling of the bus overhead and saw the speaker with its grid of circular holes perforating it, and the idea to overlay my canvases with a matrix of dots came to me quite clearly.  As I had been experimenting with collage for some time, mostly in relation to the written word, it was a short leap to realize that I should cut my dots from magazines, thus allowing me to include small images and unexpected colors to my paintings.

            The next day I experimented and was pleased with the results as my first dot painting progressed.  I am proud to say, by the way, that this first painting was purchased a few months later by one of my former high school students, Heath Schwartz.  He saved his money and bought my first painting.  (On the day he took the piece home, we were both giddy and I think we both cried a little!)

As my style developed, I discovered that I could add a whole different level of meaning to my work with the dots.  Now my mixed media canvases often contain an almost subliminal visual and psychological subtext. For example, in the composition of “Striped Sofa with Girl,” the stoic model is symbolically equated with the furniture on which she reclines.  The “prison stripes” of the sofa refer to the restrictions often placed on women by society.  The skewed colors of the forward-looking female’s flesh are symbolic of the ways she is colored unrealistically, and sometimes unfairly, by the opinions of others.  The dots, containing tiny images of things such as teacups, cosmetics, and fashion accessories, are cut mostly from magazines that offer domestic guidelines for women.

The main reason I write today is to thank Cricket for being such a great friend and an encouragement to me continually, to thank Heath who bought my first piece before he left "Big A" behind for the "Big Apple," and to thank Peter Gould who rented us our first studio space at a ridiculously low price and has believed in my art from day one.

The images at the top are of my first studio, Striped Sofa with Girl, and the same painting on display at the Fort Worth Contemporary gallery.

 

            

Wednesday, August 5, 2009

Hold the Mayo

The painting above is titled "Static" (24"x24").  It is a portrait of a former student, Amanda Whatley, and is painted with the eraser end of a pencil.

Still thinking about experimental poetry.

 

HOLD THE MAYO

 

elevate the hips

elevate the mind

elevate the discourse

                                                            peas and cornbread

            three seconds of thumb

                        soft brush across lip

                        across lip           

                                                            oh, man…

most times apples are fine

but it would be nice to think                        you’re tempted

since temptation                                    or is that flattery?

is the bread of life

 

she smiles

and                         he goes, “…”

                        and she goes, “…”

                        then she throws the whole bowl

                                           and don’t ya know

                        the world shatters

                        bright blue pieces            all that bleeding without feeling

                        in every direction

                                                                        honeyhoneyhoney

                                    don’t matter

                                                            I’ve got an emptiness in me

                                                            no lovin’ can fill.

 

                                                            but oh man

                                                                  oh man

                                                                  oh man             are you tempted

 

Monday, August 3, 2009

Surface Tension

This is the story I referred to a few day ago in which I again mention my habit of reading in the cabinet...  It is not straightforward creative nonfiction, but is a bit experimental.

SURFACE TENSION

(previously published in CRATE, literary journal of the University of California at Riverside, 2008)

            And so I have reached the height of self, that is to say, containment without collapse.  Mind and body are held together with such tiny tethers, yet I walk and walk to speed the process of decay.  Beneath this shiny surface, there are powers stored inside.

(So difficult to spread yourself that way when you are drowning in your skirts.)  I wouldn’t say my powers are the strong, recuperative kind.  Not kind at all, that kind at all, not kind, and so I fall.  Sometimes I struggle.

            I would have given you some violets, but much like wilted flowers, all your smiles seemed disengaged.  But still, I ask, if a man is suspended from his center of gravity, does he always point true North?  That’s for the best, as a man out of control is not an attractive thing, not attractive, not a thing… not a man at all.

*****

            I remember developing breasts.  (It was about the time the Russians launched Sputnik.)  And going with my aunt to buy my first fully-trained bra, and learning from the lady at Tot’s-to-Teens how important it would be someday to bend over at the waist as I put it on… and I remember the first time I bent over.

*****

            We lived in a big house with big bookshelves.  The cavernous space beneath the cabinets was a long, dark, rectangular land, and every day, even before I could read, I would enter into the cave-like cabinet to devour volumes of candy-colored, leather-covered books filled with nursery rhymes, all decorated in gold.  Because I didn’t like the dark, I would take a flashlight.  And because I didn’t like to come out once I was settled in with a book, I always took a snack.

            Sometimes Mamma would look all over for me, calling my name louder, ever higher in pitch, until suddenly it would occur to her that I was reading in the cupboard.  Then she would make me “come out of there this instant” as though I had broken the rules, as though she was angry because I knew she had forgotten where I was again.

When I was five, Mamma decided, even though I was against it, that I needed swimming lessons.  It wasn’t that I didn’t like water.  I was, in fact, an accomplished bather.  Armed with empty dish detergent bottles, discarded sunglasses, and a set of stacked measuring cups, I could languish in a tub for hours, leaving only when Mamma insisted that the wrinkled skin of my fingers and toes would never be the same again if I didn’t dry out.

I could float face down holding my breath with my eyes open for a full minute.  And if I filled the tub deep enough, I could float on my back, arms by my sides with my thin body completely suspended.  Several times I tried to force my head underwater while stretched out this way because I wanted to see what the surface of the water looked like from below.  But just when I was about to catch a glimpse beyond that mysterious barrier, my head would always bob to the surface.  Perhaps it was this inability to control myself in the water that cased me to shun the whole idea of swimming lessons.  But that was of little consequence, because as usual, I had almost no say in the matter of how I spent my leisure time.  So, at ten o’clock on the first Thursday morning in June, I squirmed uncertainly into a turquoise and yellow striped tank suit, wrapped myself defiantly in the security of a thick white towel, and submitted silently to the twenty-minute trip to the community center.

Everyone entering the pool area had to walk through a wide, water-filled pan to wash sand from out feet.  Then the foot traffic was routed by way of a concrete path around some sun-washed bleachers.  Slapping my feet on the sidewalk to make watery prints, I made a point of pouting as I followed my mother toward the shallow end of the pool.  Immediately I liked the way the water’s rocking surface threw bright lights into the clear air.  I liked the squeals and squeaks and squishes and the seductively sweet scent of cocoanut suntan lotion.  I liked my new swimsuit and had spent most of the morning strolling about the house in swaybacked splendor.  But now I felt everyone looking at me.  I was afraid… and I was afraid they could see my fear.

I watched from behind my mother as she approached the curved lip of the pool’s edge.  Various instructors were stationed about the perimeter, each cut off at the waist by the crystal water and surrounded by a handful of kids.  Mamma spoke to one of them briefly, took my towel from me, and told me to stop scowling as the black-suited teacher, a narrow-shouldered woman about Mamma’s age, motioned for me to enter the pool by way of the steps in the corner.

Five or six other kids about my size were already loosely clustered around her, bobbing around in water up to their armpits.  She assured me that I would be able to stand, so I forced myself down and in, shivering as the frigid water rose around me. 

“Let’s start by putting our faces in the water,” she said.

Without hesitation, the kids, as though preprogrammed, bent simultaneously at the waist like magnetically motivated plastic drinking birds, dunked their faces for a couple of seconds, then came up spluttering and swiping water from their eyes.  The teacher also dipped herself, but she did so by squatting down.  Then she rose smoothly, fact first, and let the water run naturally away from her face, coaxing her dark hair slickly back.

            I have slept at the seam of the sea, marking chances swept ashore by the curl and wondering at the break where swirling inconsistencies have hissed and crossed themselves twist over twist since the ocean first turned.  I have counted waves against my hips, held in place by surface tension, hearing moaning spirits seep like oil spilled from the deep.  I have ached to feel the motion of emotion, to be hurled to the sand and back into sun-sparked union, ambiguity diffusing into foam. 

            She motioned for me to join in.

            Focused on the breathing earth, I have imagined, far below her wavering surface, a layerless passage, descending in counterpoint to silver round air into a lair where oxygen holds no sway and the past is painted in shades of former tightness.              “Again,” she said, and everyone went under, including me.  I was down just long enough to see the frantically dancing feet of the kids beside me, then I straightened suddenly, and keeping my arms at my sides, allowed the water to drip from my face back into the pool.  Determined that I would not react to the praise that would surely follow this act of bravery, I looked stoically at the teacher as droplets fell from my lashes like tears.

            “Well…” she looked back at me.  I could hear her breathe in deeply through her nose as she pursed her lips.  “Okay then.  Let’s try touching our toes.”

            For the next hour she put us through our paces, taking us through maneuvers that were increasingly more complicated and required us to spend more and more time underwater.  By the end of the session, she had each of us locking our hands together to form a rigid “V” shape with our outstretched arms as one at a time we pushed off the wall of the pool, submerged our faces, and kicked furiously toward her.

Down and down, blue-gray against black shadows, headless statues dance without illumination.  Without arms, they reach for me and advance in slow motion, rising whole bodied toward the ceiling.  All my points have broken off.  I am left unweathered yet indistinct.  Around the edges in this deep, blood escapes in feathered streams, smoky black, and winds its way toward the rhythmic shore.

After the first time, the teacher would wait until the swimmer could almost touch her, then she would back up one, then two, then three steps… and since we hadn’t yet discovered that we could raise our heads to gasp for air, we had no choice but to keep kicking, to force ourselves to swim much farther than we thought me could.  Learning to swim was like playing a game without knowing the rules.  I didn’t like it.  And I could tell the teacher didn’t like me.  She called the other kids by their names, but when it was my turn to meet her latest challenge, she just said, “Okay.  You’re next.”

The second time I arrived for my swimming instruction, we were not allowed to enter the pool gracefully down the steps, but were told instead to jump in from the side.  I was swamped by panic.  One by one, like synchronized aquatic performers, the other members of the class jumped toward her waiting arms.  But not me.  I wanted to run to my mother, but I hated her for bringing me here.  Since I could not make myself jump, I sat down.  I sat down on the coping at the pool’s edge and refused to move.

During the dormant segments of the previous week’s lesson, I had been waiting periodically for my turn to perform each sequence of guided drill and practice, waiting and watching the class across the pool.  And it was suddenly clear to me.  I would much rather belong to that other class.  The teacher was young and pretty.  Her nose and cheeks glowed pink from the sun’s touch, and she wore a red bikini trimmed in white.  It even had a little pretend white belt held close to her hips with a series of pretend belt-loops.  Her class seemed to be having much more fun than mine and I was sure I could become a much better swimmer under her tutelage.

I had surely been sitting out for a full minute, and though my teacher (it was hard for me to think of her that way so intensely did I imagine myself into the other group) had given me a raised eyebrow look of curiosity, she hadn’t said anything to me about my lack of participation.

“What are you doing out here?”  But my mother had noticed and assuming that I was in trouble had flounced over to straighten things out.

“I want to be in that class,” I said flatly, and without looking up pointed across the pool’s dancing surface.

I have danced with the sun.  I have danced with the moon.  I have slept through my life…

“You’re in thissssssss classsssssss,” Mamma hissed for emphasis and jabbed her finger toward the nervous water nearby.

“I want to be in that class,” I repeated with resolve, aware all at once that while I was intently studying the floor of the pool directly in front of me everyone nearby was listening to our exchange.

I will sleep in the sea

“You can’t…” Mamma began but was cut off by the teacher.

“If she wants to be in that class, I’ll take her over there,” the teacher said.

*****

            Later that day Mamma took me with her to do her errands.  It wasn’t often that we hung out like that, just the two of us.  I was usually left in the care of the housekeeper, or else my brother was with us.

            Even though I had taken a quick bath when I got home, anyone who looked at me closely could tell I had been swimming.  My face and shoulders were a little pink, my hair was damp, and my eyes had that particularly gleam that pale eyes get when they’ve been exposed to chlorine.

            I remember going to the beauty shop a couple of times to get my hair trimmed, but the place we went that day was different.  It was long and narrow with lots of mirrors and plants.  There was no expected row of square plastic chairs topped with round domed dryer heads.  And instead of the stereotypically faded pink interior, this salon had sleek silver and black furniture that was all connected together.  I chose a tufted section and pretended to read a Harper’s Bazaar as I waited for Mamma to get a haircut.

            I was used to her getting a lot of attention.  But the man who cut her hair hardly talked to her at all.  Between the flipping of his comb and the snipping of his flashing shears, “Jules of Europe” punctuated his actions with the briefest clips of conversation.

            “So what have you ladies been up to today?”

            Mamma could tell he wasn’t really interested and she really didn’t care for people who weren’t interested in her.  “Not too much.  Swim lessons.  Summer things.”

            “So.”  Jules glanced briefly in my direction.  Snip.  Comb.  Flip.  Snip.  “Are you a good swimmer?”

            “Not really.”  Mamma assumed he was talking to her.  “I never saw the need.”

            Jules continued cutting.  How about if we cut this a little shorter for the summer?”

*****

I remember learning that there were men in the world who wanted to teach me about the men in the world, and how the faint strong smell of bleach tinted my sheets last week after I washed the colors with the whites and left them on the line to dry bleeding happily all together.

*****

When the water drips from my hair, I would be a streambed.

Mamma looked at her nails.  “Whatever you think.”

When I look at the mirror, I would have a silver back.

Then, probably because she suddenly remembered that Jules didn’t cut just anyone’s hair, she flashed him a smile in that special way she had that told him without words just how incredible he was.  And even though he knew that look for what it was, Jules bobbled just a bit as he flipped his comb.

After blowing her hair dry briefly into the feathery look that was fiendishly fashionable because beautiful women like Mamma said it was, Jules, with a flourish, swished away her black plastic cape and released her into the capable hands of the manicurist.

When steam rises from my legs, I would be the cool above the tub.

As she ducked behind a gossamer curtain into another mysterious room, Mamma was snagged by an afterthought and paused to give me a questioning look that demanded reassurance.  I glanced back an answer that promised, “Of course I won’t run out into the street or throw up on anything or tear the upholstery or go home with a stranger,” so she proceeded to get her nails done.

When you smile at me, I shine beauty above the waterline.

Having mentally made up names like “Rocket Red” and “Bewitching Black” for the haute couture fashions showcased in my magazine, I had grown tired of looking at the paper doll pages.  So, I tucked my hands, palm down, under my thighs and rocked back and forth.  Jules had cleaned up his station after Mamma’s haircut and stopped suddenly with wispy broom in hand to look at me.

He tilted his head back toward his right shoulder in a “come here” gesture and patted the back cushion of the pedestal chair.  I felt a quick shudder of rebellion, based, I realized as instantly as it cleared my system, on my response earlier that day to the cold summons of the swim instructor.  But just as quickly, I knew Jules was not like her.  So I gave him a look that said I didn’t care that he didn’t care that I didn’t care, and I nonchalantly put my magazine back in the rack and seated myself, legs dangling, in his gunmetal squeaky gray chair.

But if you touch me, I will shatter into a million shining droplets of deception…

*****

            Mamma was in a hurry as we made our way through the grocery store without a buggy “just to grab a handful of things.”

            “I can’t believe you let him cut your hair like that!”

            I was in heaven.

            “Ugh,” she grunted in disgust.  “I guess it will grow out.”

            The grocery store was my favorite place.  Usually, when I went there, it was on Saturday morning with my grandmother, so there was something wonderfully foreign and almost forbidden about venturing up and down rows of red and yellow pyramided products in the middle of the afternoon in the middle of the week.  Several times as we foraged for the items on Mamma’s list, she grew impatient with me and nudged me to move a little faster.

            “Stop looking at people that way,” she snapped.”

            “Like what?”

            “Like you are trying to see into them!”

            “But… I am.”

            “I know.  But you don’t have to let them see that.”

            Mamma still had to go to the dry cleaners and the post office, and I guess she was nearing meltdown, because when we stopped by the house just long enough to stash the groceries, she left me in the car with it running.  Just long enough for me to sample all of the buttons on the radio.

            Don’t you want somebody to love…?

            One of my earliest memories is set in the bathroom where there was a mirror on our linen closet door parallel to the mirror above the sink, and if I positioned myself just so, my reflection was effectively reflected in my reflection in my reflection in my reflection, and so on, almost endlessly.

            Wouldn’t you love somebody to…

            I just knew if I could focus my concentration ever inwardly toward that distant smallest silver self-depiction, I would spiral down into a parallel place where surely there would be one just like me endeavoring to do the same from the other-mirror side.  But I was somehow hesitant… to dive wholeheartedly into that shimmering lake, and I couldn’t shake off the silver menace coating earlier memories.  I remembered holding a green juice cup decorated with a picture of a yellow bear who was holding a green juice cup decorated with a picture of a yellow bear who was so on and so on almost endlessly.

And I remember being glad I wasn’t a bear.

            Troubles seemed so far away…

            Because I wanted more out of life than to be a decoration.

            Place to hide away…

            I needed to know on which pale green plane I could exist.

*****

            “I want to be in that class.”

The next week I was moved to the pretty teacher’s class.  I spent the rest of the summer learning that she was no nicer than the other one and that her red swimsuit looked black from a long distance underwater. 

At least that’s what I think happened.  But I have learned that memories are not always as accurate as we would like to believe.  Most of us create screen memories to shield ourselves from the things we won’t let ourselves recall.  Or we adopt as truth the things we’ve heard and then we make them our own.

I don’t remember learning I would die, but it must have been like stepping casually into a freshly laundered dream, like stepping into a white tulip skirt trimmed ‘round the hem with crimson quatrefoils and tears.  I wonder if I cried and when the flowers will start to bleed.

I don’t really remember learning to swim.  But I remember learning how light and colors behave in water, and being fascinated by surface tension and its effects on small animals.  I remember learning that how we look is greatly influenced by how we think we look, that some people are more transparent than others, and that when I was underwater, I was unmolested by the constant tirade that ruffled the surface. 

I remember learning to blow all of the air from my lungs so I could sit on the bottom of the pool without floating up, and that the sky, as seen through the wobbling silver surface of the water, often promises more blue than it delivers.

Jettatura

This is a link to an interesting writing assignment.  It is really helpful for writers who are blocked.  If it helps you break through, I would love to see the resulting poem.

 

http://mypage.siu.edu/puglove/twenty.htm

 

I am pasting below a poem I wrote using this process.  You would never guess that from looking at the final draft because it underwent lots and lots and lots of revision.  Still, it is a great tool.   Very useful for stirring up the gray matter.  

Thanks Jim Simmerman.

 

JETTATURA

(published in Ginosko Literary Journal, February 2008)

 

If I could watch you with my eyes closed,

I would know more how you move.  But I am

blinded by your sweep of arm, my good

intentions falter, and I forget

the words.  As though balanced on toe

on a rickety white chair,

I posture and prance, then

dive,

knowing this

is my last possible chance

to keep

from

falling.

 

Behind this desperation in my eyes,

I am learning to fly.

Saturday, August 1, 2009

Seeing Red


SEEING RED

 

I am at my happiest when my art and writing come together.  The painting (49”x72”) is titled “Seeing Red.”  The text in the background is as follows:

My shyness evaporated in the wake of unrestrained giggles as the dome of the winter sky made itself visible and invisible.  The flakes were tasteless yet as cool as mints as the sky threw a party for me complete with January confetti raining down all around me like sparkles of promise.  Traffic sifted the icy bits to the sides of the road where it drifted into mounds and would have turned to gray-brown slush without the constant renewal of clean falling snow.  A snow day away from school has magical, even, some would say, curative powers. 

  Silhouetted against an unexpectedly bright backdrop, Bubba and I skipped all the way home from Birdwell Elementary School, kicking up tufts of white, singing again and again the jingling refrain, “Everybody doesn’t like something, but nobody doesn’t like Sara Lee,” ending each refrain on a screeching drawn out high note.  Today was my fifth birthday and since no one at home had mentioned it, I just knew they were planning to surprise me.  But not all surprises are good.  Sometimes not knowing the truth can be a blessing.  Bless you, bless you, bless you--seems like when I sneeze I always sneeze three times, and if you say the automatic phrase real fast, blessyou, bleshyou, bleshooo, it begins to sound like a sneeze itself, or like a two-syllable foreign word without meaning, wi thout me ning, wi thout mee neen… 

  Unable to focus on anything real, I sprawled all afternoon on the burnt orange shag in the den, drawn hypnotically to the flicker of the TV screen. 

  “What are you doing, Lee Baby?” housekeeper Evelyn asked.  “Why aren’t you outside playing?” 

“I don’t know.  I don’t have anyone to play with.” 

  Bubba was off with his friends and lately he got mad when I followed him around.  Even when I pretended to be invisible, he still told me to get lost.  He said it with such force, I worried that some day it might really work, like a horrible incantation, and I would disappear forever. 

  Even though the snow continued to fall, all around me the wonder of the day began dissolving.  The sky had grown darker and I could no longer pretend I was in a globe gently shaken by a friendly giant.  I had started wondering where the party people were.  Maybe no one wanted to come.  I considered melting into the carpet, puddling up on the hardwood floor beneath, and bleeding shamefully to the corners of the room where on Monday, Wednesday, or Friday, I would be mopped away by Evelyn, as though Bubba had screamed in his most fluent Pig Latin,  “Et-gay ost-lay!” merely one time too many and I was gone forever.

  The TV welcomed me back from a commercial break but I had lost interest in frantic plots and manic laughter.  Warmed by anger over having been forgotten, and all but unobserved by the dozing Evelyn, I spent the rest of the evening cutting pictures from magazines.  Red hats, red shoes, red berries…  And I glued them into my scrapbook.  Red hearts, red lips, red words that I couldn’t yet read.  And one convincing rendering of a red 1964 Chrysler 300, polished to a high sheen and set to zoom away from today into the future…